The
Essential Elements of a Story
A
story has five basic but important elements. These five components are the
characters, the setting, the plot, the conflict, and the resolution. These
essential elements keep the story running smoothly and allow the action to
develop in a logical way that the reader can follow.
1.
CHARACTERS
The
characters are the individuals that the story is about. The author should
introduce the characters in the story with enough information that the reader
can visualize each person. This is achieved by providing detailed descriptions
of a character’s physical attributes and personality traits. Every story should
have a main character. The main character determines the way the plot will
develop and is usually who will solve the problem the story centers upon.
However, the other characters are also very important because they supply additional
details, explanations, or actions. All characters should stay true to the
author’s descriptions throughout the story so that the reader can understand
and believe the action that is taking place and perhaps even predict which
character may do what next. There are two meanings for a character like a person
in a fictional story or qualities of a person.
The
characters in the story are:
i.
People in a work of fiction can be a(n):
Ø Protagonist
-
Clear center of the story; all major events are important to this character.
Ø Antagonist
-
Opposition or "enemy" of the main character.
ii.
Characteristics of a character can be revealed through:
Ø his/her physical appearance
Ø what
he/she says, thinks, feels, dreams and what he/she does or does not do
Ø what
others say about him/her and how others react to him/her
iii.
Characters can be
Ø Round
-
Fully developed personalities that are affected by the story's events; they can
learn, grow, or deteriorate by the end of the story. Characters are most
convincing when they resemble real people by being consistent, motivated, and
life-like.
Ø Flat
-
One-dimensional character
Ø Dynamic
-
Character who does go through change and "grows" during a story
Ø Static
-
Character does not go through a change.
2. SETTING
Ø The setting is the location of the action. An author
should describe the environment or surroundings of the story in such detail
that the reader feels that he or she can picture the scene. Unusual settings
(such as a fantasy world) can be interesting, but everyday settings can help a
reader to better visualize the story and feel connected to the plot.
Ø In others, setting means the time and location where a story
takes place. For some stories, the setting is very important; while for others,
it is not. When examining how setting contributes to a story, there are
multiple aspects to consider:
i.
Place: Geographical location; where
is the action of the story taking place?
ii.
Time: Historical period, time of day,
year, etc. when is the story taking place?
iii.
Weather conditions; Is it rainy, sunny,
stormy, etc.?
iv.
Social conditions: What is the daily
life of the characters like? Does the story contain local color (writing that
focuses on the speech, dress, mannerisms, customs, etc. of a particular place)?
v.
Mood or atmosphere: What feeling is
created at the beginning of the story?
Cheerful
or peculiar?
3. PLOT
Ø The plot is the actual story around which the entire book
is based. A plot should have a very clear beginning, middle, and end with all
the necessary descriptions and suspense, called exposition so that the reader
can make sense of the action and follow along from start to finish. In
other words, plot means how the author arranges events to develop the basic
idea; it is the sequence of events in a story or play. The plot is a planned,
logical series of events having a beginning, middle, and end. The short story
usually has one plot so it can be read in one sitting. There are five essential
parts of the plot:
i. Exposition
(introduction) - Beginning of the story; characters,
background, and setting revealed.
ii. Rising Action -
Events in the story become complicated; the conflict is revealed. These are
events between the introduction and climax.
Conflict -
Essential to the plot, opposition ties incidents together and moves the plot. Not
merely limited to arguments, conflict can be any form of struggle the main
character faces. Within a short story, there may be only one central struggle,
or there may be many minor obstacles within a dominant struggle. There are two
types of conflict. In others, the very story has a conflict to solve. The plot is
centered on this conflict and the ways in which the characters attempt to
resolve the problem. When the story’s action becomes most exciting, right
before the resolution, it is called the climax.
•
In other words, conflict is the
struggle between opposing forces. In
central conflict, the ,main character must fight against some force or make an
important decision. It can be divided into two:
Internal conflict takes place inside a person's mind. For example a character is torn between risking his life to save someone else. Internal- Struggle within one's self.
Ø Character
vs. Self - Struggles with own soul, physical limitations,
choices, etc.
Ø External
conflict takes place when a person or group struggles
against another person or group or against a non-human force such as a storm or
a car that won't start.
Therefore,
External - Struggle with a force outside one's self.
Ø Character vs. Character -
Struggles against other people.
Ø Character vs. Nature -
Struggles against animals, weather, environment, etc.
Ø Character vs. Society - Struggles
against ideas, practices, or customs of others
4.
Climax - The turning point of the story. Readers wonder what
will happen next; will the conflict be resolved or not? Consider the climax as
a three-fold phenomenon:
Ø Main
character receives new information.
Ø Main
character accepts this information (realizes it but does not necessarily agree
with it).
Ø Main
character acts on this information (makes a choice that will determine whether
or not the objective is met).
iv. Falling action -
Resolution begins; events and complications start to fall into place. These are
the events between the climax and denouement.
5.
Resolution (Conclusion) - Final outcome of events in the
story. The
solution to the problem is the way the action is resolved. For example, the protagonist often resolves a conflict by finding a compromise or helping fix
any mistakes that are made. It is important that the resolution fit the rest of
the story in tone and creativity and solve all parts of the conflict.
6.
Point of View
There
are several variations of views:
i. First Person - Story
told by the protagonist or a character who interacts closely with the
protagonist or other characters; the speaker uses the pronouns I/we. Readers
experience the story through this person's eyes and only know what he/she
knows and feels.
ii.
Second Person - Story told by a narrator who addresses
the reader or some other assumed you; speaker uses pronouns you/your/yours. Ex:
You wake up to discover that you have been robbed of all of your worldly
possessions.
iii.
Third Person - Story told by a narrator who sees all of
the action; the speaker uses the pronouns he/she/it/they/his/hers/its/theirs. This
person may be a character in the story. There are several types of third personal viewpoints:
Ø Limited
-
Probably the easiest: Point of view for a beginning writer to use,
"limited" view funnels all action through the eyes of a single
character; readers only see what the narrator sees.
Ø Omniscient- God-like, the
narrator knows and sees everything, and can move from one character's mind to
another. Authors can be omniscient narrators by moving from character to
character, event to event, and introducing information at their discretion.
There are two main types of omniscient Points of view:
Ø Innocent
Eye/Naïve Narrator - Story told through a child's eyes; the narrator's judgment is different from that of an adult.
Ø Stream
of Consciousness - Story told so readers solely experience
a character's thoughts and reactions.