Heart of Darkness | BA English

                                                          Heart of Darkness

 

Each person possesses a Congo, the darkest part of themselves, and the Congo either has an outside heart of darkness or is itself a heart of darkness. In addition to this, there is another Congo, another dark heart. Within every one of us is this Congo. The African nation of Congo is a true heart of darkness. Within us lies a second metaphorical and symbolic Congo. One must begin the voyage to the actual Congo in order to arrive at this metaphorical and symbolic Congo. We can only enter the metaphorical Congo that exists within us by first setting out on a voyage to the actual Congo. As a result, the travel inside begins at the same time as the voyage outside.

Marlow was successful in undertaking a similar voyage into his inner world while visiting the Congo in Africa. That indicates that while plunging into Congo's purgatory, he was successful in reaching his inner Heart of Darkness. Without ever reaching the outer Congo, you can never reach your inner Congo. Marlow not only entered but also emerged from his inner Heart of Darkness. Kurtz too succeeded in entering his inner Congo but was unable to exit it. As a result, Kurtz was swallowed up by Marlow's inner Congo. This is the second important element of Marlow's journey: he arrived in Congo. He got to his own inner Congo by getting to Congo. He was able to successfully complete his inner journey by finishing his outer adventure. Next, it's crucial to note that Marlow was aware of a crucial truth regarding the presence of Europeans in Africa. He became aware of the frailty of the human self after realizing this truth. He was guided to the road of self-realization by this insight. Conrad's "Heart of Darkness" is a voyage inside because of this. Who received the fruits of this kind of voyage, and how was the recipient altered by it, if we accept that Conrad's Heart of Darkness represents a journey within? It is somewhat challenging to provide a solution to this query. If the "Heart of Darkness" is an inside journey, then the person who created it has undoubtedly acquired a higher degree of wisdom and insight.

Marlow's awareness underwent a radical shift after becoming aware of Kurtz's wretched situation. Marlow recognized the frailty of people after witnessing Kurtz's descent from the pinnacle of European civilization. After witnessing Kurtz's dreadful demise, Marlow realized how deeply ingrained and concealed death phobia is in the fabric of the human psyche. After witnessing all of those events, Marlow's consciousness underwent a significant transformation. There was no external change. Marlow experienced internal change. He experienced a climax elevation of consciousness. Marlow was no longer a Marlow. He proved to be a Marlow of the spirit. His external reflection revealed the spiritual shift within him.

He had assumed a transcendental attitude similar to that of Buddha while telling his story about his journey in the Congo while sitting on the deck of the Nellie. Marlow was recounting his risky voyage into the Congo while sitting in a transcendental stance like that of Buddha. He had a face as serious as the Buddha. What made (excited) Marlow sit in the lotus pose with a serious look on his face? Marlow's great inner awakening is the solution to this query. Similar to Buddha, Marlow kept Kurtz's intention from learning that she was not mentioned by name at the moment of his death. Marlow lied as a result. The raked truth, according to Buddha, is bad for women.

They require the sweetened truth. Like Buddha, Marlow believed that if he told Kurtz's intended falsehood; her life would still be enjoyable and meaningful. That is the reason Marlow lied. Based on all of these indicators, we may conclude that the novel's fundamental thematic structure has been emphasized by the theme of the Buddha's image.

Heart of Darkness’ Message or Theme: In the story, it is mentioned that Kurtz traveled to the Congo with good intentions. He started showing his true barbaric color as his time in the Congo grew longer. He started to disappear into the destructive, decadent, and degenerative quicksand. Over time, his ethics and civilized values vanished. His voracious, inhumane, and hideous selves took control of his mind. Many commentators looked for the reason behind Kurtz's vapid existence in Congo. Kurtz exhibits a lack of restraint. Kurtz lacks a firm foundation in his religion. Kurtz might not have completely caved in to the temptation of evil in Congo if he had believed in his inner core self.

Kurtz, though, disagrees with restraint and moderation, and let his passion, hunger for power, and ravenous obsession with ivory run wild. Marlow, as opposed to Kurtz, was successful in getting to and leaving the Congo because he shown restraint and control. Due to his lack of belief in the transforming power of moderation and restraint, Kurtz was destined to die a horrible death in the Congo. The topic of Heart of Darkness, according to many readers who hold conventional ideas, is the vulnerability of civilisation as it clashes with savagery. The underlying message is that if any member of civilisation acts without restraint, civilization's façade/appearance crumbles, allowing savagery to dance on the stage of life and seduce the social fabric of the multitude.

If we contrast Kurtz and Marlow, this final meaning comes into sharper focus. Marlow exhibited restraint, focus, and undivided intention. Because of this, he was saved. Kurtz, on the other hand, lacked such protection against temptation. He had to die because of this. Conrad developed the subject around the balance of opposites, such as a core of faith versus hollowness, restraint versus its lack, civilization versus savagery, light versus darkness, etc., to emphasize this theme.

Psychology of Herat of Darkness: Conrad's writing was greatly influenced by Carl Gustav Jung. The fundamental tenet of Jungian psychology is that active management of the subconscious must be done in order to live a healthy and sound existence. According to Jung, we must get entry to the subconscious level, study, understand, and finally take control over it before we can live a conscious existence. Conrad's writing is influenced by Jung's psychological theories and works on two levels at once: it conveys an action thriller story while simultaneously taking a similarly risky detour into the psyche.

Light is the opposite of mist, shadow, or fog, and the conscious perception of the forces that control our life is symbolized by light. Darkness is a symbol of devastation and the primal emotions that drive individuality. Light and dark are mixed together, interspersed, and blended. This is Conrad's method of saying that a person needs to be aware of them first and foremost. Because this awareness is a fragile one, Conrad uses the metaphor of fog and shadow to represent the subconscious in Heart of Darkness. The Congo journey symbolizes a slide into the unconscious, to put it simply. Frederick Karl, a well-known critic, claimed that Marlow's journey to the Congo was a contemporary representation of hell. Karl acquired over fifty stories, all of which are in some manner troubled by death and decay and deal with Hellish things. The emphasis is typically on futility. Kurtz is described as a deviled variety. His bald head itself starts to represent the ivory he amasses. Our understanding of Kurtz and his modest jungle dominion is enlarged by Conrad's imagistic language choice. Kurtz exemplifies the hollowness of western culture and the damage that materialism has done to society.

In Conrad's Heart of Darkness, women's roles are not neatly and obviously defined. In other terms, it falls short of expectations. The portrayal of Kurtz's African girlfriend suggests that she is illiterate and that language is nothing more than random sounds. Her melancholy and inquisitive demeanor describes Kurtz's European intentions. When Kurtz was about to pass away, she was interested to hear his last words to her. She should have known that a creature that has fallen, like Kurtz, is unable to speak before passing away. But she gullibly held it to be true. Conrad's women are thus credulous and submissive.

In light of the biblical teaching of deliverance from suffering, consider Heart of Darkness. The blood-smeared shoe of the helmsman, knitting black yarn, fog, shadow, etc. are the symbols utilized here. The position of a riverboat steamier pilot was provided for Marlow's nephew by his aunt. However, becoming a riverboat pilot was a dangerous and lethal career. How can she mend her nephew's risky employment without making matters worse? Marlow was welcomed by two women at the company's offices in France. They were using black wool to knit. We are reminded of defending the door of darkness with their black wool. They represent a dreadful portal of darkness. But they know nothing at all about it. Instead, these women portray a stern household women.

 

 

 


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