A Very Old Man with Enormous Wings by Gabriel Garcia Marquez (Story) (NEB XII)

A Very Old Man with Enormous Wings by Gabriel Garcia Marquez

Known as the literary explosion of the 1960s and a pioneer of the magical realism literary movement, Gabriel Garcia Marquez was a journalist, novelist, and short story writer of Spanish American descent. He was born in Colombia in 1927 and passed away in 2014; he was a journalist, novelist, and short story writer. His book One Hundred Years of Solitude, published in 1967, is a good example of magical realism. Gabriel Garcia Marquez and magical realism are terms that are frequently used interchangeably by readers. No One Writes to the Colonel (1961), Love in the Time of Cholera (1985), Memories of my Melancholy Whores, and other works by Marquez fall into the magical realism literary genre (2004). The story ‘A Very Old Man with Enormous Wings’ was first published in 1955 that has a magical realist story and examines the human response to those who are weak, dependent, and different. The story shows human nature-related curiosity, greed & cruelty and also demonstrates Marquez's ability to tell a fairy tale or folk tale realistically while incorporating the magic of the angel.

Setting: 

Physical Setting: The story may take place in 1930/1940 which begins at Friday noon such as on the third day of rain in a small village by the sea …the world had been sad since Tuesday. The light was so weak at noon…. The story ends several years later in the morning. On morning….When the child began school…. … the newborn child had a temperature all night. 

Geographical Setting: Pelayo and Elisenda’s courtyard is a Spanish country because of its name, small town, strongly ruled by Catholicism, and popular mythology and Importance.

 Main Points

Ø  A couple named Pelayo and Elisenda discovered a man with giant wings outside of their home and assumed he was a homeless person. A poor guy named Pelayo went outside to look at the elderly man with wings in his yard. The people in his village believe that he is a fallen angel, while the priest believes that he may be a representation of the devil. Getting advice from a nosy neighbor, the old guy was thought to be an angel who had come to take his ailing son away.

Ø  Pelayo placed the elderly guy into his chicken coop, where he drew notice from passersby, including Father Gonzaga, a priest. Elisenda, Pelayo's wife, eventually started charging people to see him, and as a result, they both became wealthy. As time went on, people ultimately forgot about the winged guy after a freak show diverted their attention away from the angel. About five years later, the angel recovered his health and left Pelayo's home on his wings.

Point of view: One character's perspective is used to tell the story in the first person. Speaking in the second person, the narrator addresses the audience. The narrator is not a character in the story but has access to that character's thoughts; third person limited. A third person only Since the narrator is not one of the characters yet has access to every character's thoughts, the story is limited to the third person. The third-person omniscient narrator is not one of the story's characters yet has access to each one's ideas.

Theme

The supernatural & hypocritical people: Twice, the word "supernatural" is used. It is said that the towns are pious. The word "wings" in the title suggests that a supernatural theme could be included. The angel treated him in the same cold manner as the other mortals. People flung stones at him, called him names, plucked his feathers, and branded him with a hot iron before the compassionate Pelayo and Elisenda took him in. As time goes on, they begin to feel less dread and more compassion for the man. Father Gonzaga ought to have compassion for people, but after concluding that the guy with wings is not an angel, he does nothing to assist the needy man or lessen his pain.

Exclusion of those who are different: Elisenda, Pelayo & others react cautionary to the angel and treat him like an animal because he is different. Pelayo watched over him all afternoon from the kitchen, armed with his law officer club. … put the angel on a raft with fresh water and provisions for three days and leave him to his fate on the high seas……the whole neighborhood…without the slightest respect, tossing him things to eat through the openings in the wire as if he weren’t a supernatural creature but a circus animal.

People are selfish & exploit others: Elisenda and Pelayo continue to dislike the angel even after he or she helps them become extremely wealthy. When they renovate their home, they never even upgrade the chicken coop. When they learn that the angel cannot treat their illnesses or scars, people stop going to him. People listen to the spider's tragic tale out of self-interest and want to experience catharsis, yet this does nothing to help the spider. The angel is then used as a means of gain by Elisenda and Pelayo. People take advantage of the angel and the spider to amuse themselves.

Perception: Everyone had a different opinion of him. The neighbor believed him to be an angel. He appeared to be a sailor to Pelayo and Elisenda. The priest believed him to be a fraud.

Human vs. Angel: The elderly man or angel is frequently depicted as having human characteristics like being toothless and bald, but he also has these enormous wings that make him anything but human.

Prejudice: He didn't speak the language that an angel should speak or appear like, which led the priest to believe that he was a fraud or imposter.

Symbol

Ø  Wings are something that holds some sort of symbolic value in the story.

Ø  There are some contrasts with the angel, using everyday objects and comparing the beauty and ugliness in everyday life.

Ø    ..which brought on a whirlwind of chicken dung and lunar dust. The writer wants the reader to see the beauty in everyday things,

Ø  The angel may not look like that but he can still be something special, even if the town doesn’t think so.

Ø  Next, wings represent power, speed, and limitless freedom of motion.

Ø   In Christian tradition, angels are often represented as beautiful winged figures.

Ø   Marquez shows such cultural symbolism because ironically, the wings of the angel in the story convey only a sense of age and disease. Although the old man’s wings may be dirty, untidy & bare, they are still magical enough to attract crowds of pilgrims and visitors.

Tone or Mood: What emotions does the writer or reader have regarding the topic they are reading or writing about? Keep in mind that word choice and diction affect tone and emotion.

Bleak Mood:  For instance, since Tuesday, the world has been depressing. The sands of the beach, which on March nights shimmered like powdered light, had turned into a stew of mud and decaying shellfish, and the sea and sky became a single ash-gray entity. His bald skull had just a few fading hairs on it, and he had very few teeth in his mouth. His pathetic state as a sodden great-grandfather removed whatever sense of grandeur he may have had. His enormous buzzard wings were stuck in the mud for all time, filthy and half-plucked.

Sympathetic Mood: For instance, the light was so dim at noon that Pelayo struggled to see what was grunting and moaning in the courtyard's back while he was returning to the house after disposing of the crabs. He had to come quite close to notice that it was an elderly man—a very elderly man—lying face down in the mud, unable to stand due to the size of his gigantic wings. … He was being attacked by hens that were looking for the cosmic parasites that were multiplying in his wings, and the cripples were plucking out feathers. Even the most forgiving hurled stones at him to force him to stand so they could see him... His side was scorched by an…

Conflict

Internal conflict: Pelayo and Elisenda are at odds because they are unsure of what to do with the angel. Armed with his bailiff's club, Pelayo kept watching over him from the kitchen the entire afternoon. They made the decision to abandon the angel to his fate by placing him on a raft with food and water for three days. How to handle fallen angels... Elisenda exhaled with relief for both him and her.

External conflict: The character is at odds with the environment, society, or another character. They built a two-story mansion with balconies using the money they saved. The angel would be discovered in the kitchen after being chased out of the bedroom with a broom. the irritated and insane. Elisenda yelled that it was terrible to live in the angel-filled hell.

people vs. the angel: The angel is ill-treated and unwanted as the other’…Hens pecked at him, searching for the stellar parasites that proliferated in his wings, and the cripples pulled out feathers…even the most merciful threw stones at him, trying to get him to rise so they could see him standing…they burned his side with an iron for branding. It is awful living in a hell full of angels. No one understands the angel. He spent most of his time trying to get comfortable…the hellish heat of the oil lamps and sacramental candles...they tried to make him eat some mothballs…he only lifted his antiquarian eyes and murmured something in his dialect.

The angel vs. the spider: The character is at odds with society, the environment, or another person. A two-story mansion with balconies was built using the money they saved. With a broom, they would chase the angel from the bedroom, only to discover him in the kitchen, agitated and insane. Elisenda yelled that it was terrible to live in the angel-filled hell.

Pelayo and Elisenda vs. the crabs: They killed so many crabs inside the home on the third day of rain that Pelayo had to cross his soggy courtyard and dump them into the water because they believed the baby's fever all night was brought on by the odor.

Character Analysis 

1.      The Old Man (the Angel):

Ø  Protagonist and an angel with enormous wings and finds himself facedown in the mud of Pelayo’s courtyard at first in the story.

Ø  Apparently he is there to take Pelayo’s sick child to heaven to heal the child

Ø  He is knocked down in the storm and makes captive in Pelayo’s chicken coop for years.

Ø  speaks a strange dialect & can’t understand the locals.

Ø   His pathetic & mangy appearance makes him a target for their mockery.

Ø   He’s treated like a circus animal

Ø  Pelayo and his wife Elisenda take money from people to see him.

Ø  The strange miracle he performs doesn’t impress anyone.

Ø  The blind man grows three new teeth instead of regaining his sight.

Ø   Once the locals are tired of the angel, he lives a sorry existence, maltreated, ignored, and considered only a nuisance.

Ø  He bears his suffering with patience & grace from start to finish.

Ø  Finally, he regains his strength & flies away.

2.      Pelayo:

Ø  He is a married man with a newborn son & lives in a seaside town.

Ø   He finds the old man and accepts that he’s a shipwrecked sailor.

Ø  Once the neighbor corrects him, he locks the angel in his chicken coop

Ø  Abuses the man who takes money to watch makes a lot of money & builds a big house.

Ø   Pelayo never profoundly changes as a person. He is the same, simple and bitter man though he does not have many good features,

Ø  Provides the needs of life to his wife and child.

3.      Elisenda:

Ø  She is Pelayo’s wife who is ordinary and concerned to manage.

Ø  She has the idea of taking money to see the angel for the locals.

Ø  She’s not satisfied with their new wealth, house, etc.

Ø  Indeed, she sees the old man/angel with irritation.

Ø  As the angel leaves, she has a sigh of relief.

Ø  Her happiest moment in the story is probably when the admission money she and Pelayo have accumulated allows her to buy some satin pumps with high heels and expensive attires.

4.      The Neighbor Woman:

Ø  As Elisenda and Pelayo find the old man, they go to the old lady next door for advice.

Ø  She has a reputation for being wise, but she comes across as cruel and petty, and silly in her beliefs. She recognizes that the old man might be an angel

Ø  she says that angels are fugitive survivors of a celestial conspiracy.

5.      The Child:

Ø  Pelayo and Elisenda’s newborn ill son become healthy in the end.

Ø   He is innocent and doesn’t treat the angel with disdain.

Ø  He is quite happy to go inside the chicken coop to play.

Ø   The child and the angel are somehow linked but he has no voice in the story.

6.      Father Gonzaga

Ø   Hapless priest who is brought in to examine the angel.

Ø  A religious figure who has no charity and empathy for the wretched angel.

Ø  Through the character of Father Gonzaga, Marquez ridicules the Catholic church suggesting that the church is more occupied with bureaucracy and internal backbiting than with the work of charity & empathy:

7.      The Spider Woman:

Ø  Minor character who has the body of a tarantula (large) & the head of a fair maiden.

Ø    She has a simple story to express family tragedy because people recognize her more than the angel,

Ø   She becomes a more popular attraction in town though she is physically less humanlike.

 

Imagery

Imagery occurs when there is so much description/figurative language that the audience can see, hear, smell, taste or feel what the speaker is describing. From the story:

Ø  He awoke with a start, ranting in his hermetic language and with tears in his eyes, and he flapped his wings a couple of times, which brought on a whirlwind of chicken dung. With the money they saved they built a two-story mansion with balconies and gardens and high netting so that crabs wouldn’t get in during the winter, and with iron bars on the windows so that angels wouldn’t get in…Elisenda bought some satin pumps with high heels and many dresses of iridescent silk…the chicken coop was the only thing that didn’t receive any attention. If they washed it down with Creolin and burned tears of myrrh inside it every so often, it was not in homage to the angel but to drive away the dung-heap stench that still hung everywhere like a ghost.

Ø  Sea and sky were a single ash-gray thing and the sands of the beach, which on March nights glimmered like powdered light, had become a stew of mud and rotten shellfish. Then he noticed that seen close up he was much too human: he had an unbearable smell of the outdoors, the back side of his wings was strewn with parasites and his main feathers had been mistreated by terrestrial winds, and nothing about him measured up to the proud dignity of angels.

Magical Realism  with Open-ended conclusion

ü  Magic realism is a literary or artistic genre in which realistic narrative and naturalistic technique are combined with surreal or dreamlike elements of dream or fantasy. No explanation is given for the magical being & realistic description of the magical being.

ü  In the story, instead of telling the audience that they are selfish, hypocritical, selfish individuals who fear anyone different, Marquez chose to show the audience a magical character that we could connect to feel sympathy for. This allows the audience to take the preferences they may already have out of the calculation and focus on the message of the story. An example of magic realism is, “He had to go very close to see that it was an old man, a very old man, lying face down in the mud, who, despite his tremendous efforts, couldn't get up, impeded by his enormous wings.” The next example of magic realism can be, “Against the judgment of the wise neighbor woman, for whom angels in those times were the fugitive survivors of a spiritual conspiracy, they did not have the heart to club him to death.”

Summary

The story tells us about Pelayo and his wife Elisenda, who find an old man with wings in their courtyard after killing crabs in a rainstorm. Pelayo & his wife try to talk to him unsuccessfully. They finally get their neighbor woman, who informs them that the old man is an angel who tells them that it was on its way for their sick child. They put the angel in the chicken coop, & during the middle of the night, their child's fever breaks. They decide to let him go but when they return to the courtyard at dawn the entire community has arrived to see the angel. Father Gonzaga soon arrives, declaring that the old man is a fake. He promises to get the real truth from the higher courts of the church. The news of the angel spreads like wildfire, & the courtyard soon resembles a marketplace. Elisenda then has the idea of charging a 5-cent admission fee for seeing the angel; they are soon rich. Rome takes its time deciding on whether the old man is an angel, and while waiting for their verdict, Father Gonzaga works desperately to restrain the crowd. The crowd leaves on its own when a carnival boasting a Spider-Girl arrives in town. Spectators are allowed to question her, and she tells them how she was turned into a tarantula one night for disobeying her parents. This appeals to the crowds more than an old-winged man who ignores the people around him. So, the curious crowds soon leave the angel for the spider, leaving Pelayo's courtyard deserted. Pelayo and Elisenda build a mansion with all the money they have accumulated. They neglect the angel and prevent their child from getting too close to the chicken coop. He soon becomes a part of their life, and they no longer fear him. The child visits him often. After a while, the chicken coop breaks, and they allow him to move around their house, although it causes Elisenda much distress. He gets increasingly frail and sickly, and they fear that he will die. He recovers & one-day Elisenda watches him fly away, to her great relief.

Key Quotations

“Frightened by that nightmare, Pelayo ran to get Elisenda, his wife, who was putting compresses on the sick child, and he took her to the rear of the courtyard.”

 -Pelayo’s first reaction to the supernatural was just that it was not real and that it was all just a nightmare.

“He was dressed like a rag-picker. There were only a few faded hairs left on his bald skull and very few teeth in his mouth, and his pitiful condition of a drenched great-grandfather took away any sense of grandeur he might have had. His huge buzzard wings, dirty and half-plucked were forever entangled in the mud.”

-This quote shows that even though the fallen being is an angel, he has human qualities opposite of what you would associate with a heavenly figure.

“Her only nourishment came from the meatballs that charitable souls chose to toss into her mouth. A spectacle like that, full of so much human truth and with such a fearful lesson, was bound to defeat without even trying that of a haughty angel who scarcely deigned to look at mortals.”

-This quote that even though the spider woman is a magical being like the angel, she receives nearly as much attention as he does because he is associated with God.

  

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